https://rjweditor.github.io/posts/Recent content in Posts on Get FOSS’dHugoen-usSun, 17 May 2026 09:40:06 -0700https://rjweditor.github.io/posts/professional-foss-codecs/Sun, 17 May 2026 09:40:06 -0700https://rjweditor.github.io/posts/professional-foss-codecs/<h1 id="how-to-deliver-professional-video-on-linux-using-prores-dnxhr-av1-and-exr">How to Deliver Professional Video on Linux Using ProRes, DNxHR, AV1, and EXR</h1> <p>One of the biggest misconceptions about Linux creative workflows is that professional codecs are unavailable.</p> <p>That is no longer true.</p> <p>Using FFmpeg and modern open-source tooling, Fedora can work with nearly every major professional codec required in film, broadcast, and commercial post-production.</p> <hr> <h1 id="editing--intermediate-codecs">Editing &amp; Intermediate Codecs</h1> <p>These codecs are optimized for timeline performance and high-quality interchange.</p> <hr> <h1 id="prores">ProRes</h1> <p>Originally created by Apple, ProRes has become one of the industry’s most common professional mezzanine formats.</p>https://rjweditor.github.io/posts/fedora-creative-suite/Sun, 17 May 2026 09:40:06 -0500https://rjweditor.github.io/posts/fedora-creative-suite/<h1 id="switching-from-adobe-creative-cloud-to-fedora-linux-my-real-workflow">Switching From Adobe Creative Cloud to Fedora Linux: My Real Workflow</h1> <blockquote> <p><strong>The biggest misconception in creative production today is that professional work requires expensive proprietary ecosystems. It doesn&rsquo;t. The tools — and the assets — are already here.</strong></p> </blockquote> <hr> <p>For decades, the world&rsquo;s biggest visual effects studios, animation houses, and post-production powerhouses have quietly relied on Linux. The pipelines behind blockbuster films, high-end commercials, and broadcast television have trusted Linux for its stability, performance, flexibility, and iron control over the production environment.</p>