<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:content="http://purl.org/rss/1.0/modules/content/"><channel><title>Get FOSS’d</title><link>https://rjweditor.github.io/</link><description>Recent content on Get FOSS’d</description><generator>Hugo</generator><language>en-us</language><lastBuildDate>Sun, 17 May 2026 12:09:09 -0500</lastBuildDate><atom:link href="https://rjweditor.github.io/index.xml" rel="self" type="application/rss+xml"/><item><title>About</title><link>https://rjweditor.github.io/about/</link><pubDate>Sun, 17 May 2026 12:09:09 -0500</pubDate><guid>https://rjweditor.github.io/about/</guid><description>&lt;h2 id="ive-spent-18-years-making-broadcast-television-now-im-rebuilding-how-i-work"&gt;I&amp;rsquo;ve spent 18 years making broadcast television. Now I&amp;rsquo;m rebuilding how I work.&lt;/h2&gt;
&lt;p&gt;I&amp;rsquo;m Rob Williams — a Senior Creative Producer and Editor based in Chicago with nearly two decades of experience in broadcast video, on-air promotions, and editorial storytelling.&lt;/p&gt;
&lt;p&gt;My career has run through some of the biggest names in Chicago broadcasting. At Weigel Broadcasting, I&amp;rsquo;ve led creative campaigns that secured sponsorships from 30+ national brands — Paramount Pictures, Allstate, Chase Bank, Home Depot, Peloton, and more — and driven measurable revenue growth year over year. Before that, I spent years at WGN-TV localizing national campaigns across 20+ Tribune-owned stations, helped launch Antenna TV, and contributed to WGN America&amp;rsquo;s primetime expansion. Along the way I&amp;rsquo;ve picked up a Regional Emmy and multiple national AVA and VEGA Digital Awards for my work.&lt;/p&gt;</description></item><item><title>Professional FOSS Codecs</title><link>https://rjweditor.github.io/posts/professional-foss-codecs/</link><pubDate>Sun, 17 May 2026 09:40:06 -0700</pubDate><guid>https://rjweditor.github.io/posts/professional-foss-codecs/</guid><description>&lt;h1 id="how-to-deliver-professional-video-on-linux-using-prores-dnxhr-av1-and-exr"&gt;How to Deliver Professional Video on Linux Using ProRes, DNxHR, AV1, and EXR&lt;/h1&gt;
&lt;p&gt;One of the biggest misconceptions about Linux creative workflows is that professional codecs are unavailable.&lt;/p&gt;
&lt;p&gt;That is no longer true.&lt;/p&gt;
&lt;p&gt;Using FFmpeg and modern open-source tooling, Fedora can work with nearly every major professional codec required in film, broadcast, and commercial post-production.&lt;/p&gt;
&lt;hr&gt;
&lt;h1 id="editing--intermediate-codecs"&gt;Editing &amp;amp; Intermediate Codecs&lt;/h1&gt;
&lt;p&gt;These codecs are optimized for timeline performance and high-quality interchange.&lt;/p&gt;
&lt;hr&gt;
&lt;h1 id="prores"&gt;ProRes&lt;/h1&gt;
&lt;p&gt;Originally created by Apple, ProRes has become one of the industry’s most common professional mezzanine formats.&lt;/p&gt;</description></item><item><title>Fedora Creative Suite</title><link>https://rjweditor.github.io/posts/fedora-creative-suite/</link><pubDate>Sun, 17 May 2026 09:40:06 -0500</pubDate><guid>https://rjweditor.github.io/posts/fedora-creative-suite/</guid><description>&lt;h1 id="switching-from-adobe-creative-cloud-to-fedora-linux-my-real-workflow"&gt;Switching From Adobe Creative Cloud to Fedora Linux: My Real Workflow&lt;/h1&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;strong&gt;The biggest misconception in creative production today is that professional work requires expensive proprietary ecosystems. It doesn&amp;rsquo;t. The tools — and the assets — are already here.&lt;/strong&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;hr&gt;
&lt;p&gt;For decades, the world&amp;rsquo;s biggest visual effects studios, animation houses, and post-production powerhouses have quietly relied on Linux. The pipelines behind blockbuster films, high-end commercials, and broadcast television have trusted Linux for its stability, performance, flexibility, and iron control over the production environment.&lt;/p&gt;</description></item></channel></rss>